What Does High Bilirubin For Liver Mean

MY WORK: Remembering stages pictorial abstractions about my study

I'm working on the first sketches for a new series Fragments holders. The main focus of their theme revolves around various corners of my study that motivated me by their unexpected plasticity, casual, produced by a vertex that receives atarcecer last light on the range of angles formed by superimposing several canvases or by the play of chiaroscuro that arises between various objects arranged randomly.

I am interested in metaphorical spaces that stretch around objects: boundaries of thought and feeling, shared sites formed by magma belonging to several bodies, mist guiding vision among the different constructions, drawings splits doubt raise questions about their reality matérica. These reflections will serve as a starting point for the completion of the new pictures that come from my "laboratory" pictorial.

As I think about the new series remember pictures of other stages based on different views of my studio and I discover my tendency years to fragment space. Like a recurring dream portrait again and again different corners combining several views, linking on a rhythmic dance of lines and planes that make up the scenes.

To understand better these last words that you see a selection of paintings done over several years, all related to the four walls of my studio.

I like to compare at the time, the differences between these and my new paintings.

Three views of my study , Acrylic on canvas, 90x 120 cm 1987.

My balcony and night , Acrylic on cardboard 50x70 cm 1990.

blue Study, Oil on canvas 115x130 cm 1990.

My study and Telefónica , Tempera on cardboard 70x130 cm 1990.

Hall light, tempera on handmade paper 15x18 cm 1993.

OPEN , tempera on handmade paper, 30x36 cm 2006.

dance colors, tempera on handmade paper 2006 70x100 cm.

Madrid, the cloud and my study , Gouache on handmade paper, 60x85 cm 2006.

How To Make Skin At Pubic Area Lighter

MY WORK : Series Brightness, spaces between

Among spaces, Oil on canvas 2011 46x38 cm

images

1990s Pokemon Fire Red Cheats

MY WORK: Remembering pictorial stages 1987 - 1994

am renewing old paintings, photographing them again with the digital camera. I remembered so many times ... I show some of these pictures to give you an idea of \u200b\u200bthe changes in my painting in the course of about six years. I also used to think.

The first three pictures, Four brushes, hands and brushes and while painting a circle, are dated between 1987 and 1990. I liked loose brushwork, the free expression of the first stroke, the effect of moving objects.

painted between 1990 and 1993 moving circles, Behind the Music and color Arcos. Observed at this stage the tendence the geometric order, sequential order, the different interpretations of the same motif.

Influenced by my dedication to printmaking in the first half of 90, subject to the easement to structure the shapes and colors on the plates for printing, they had to apply the rules of the four colors, I was restricting color flourishes and expressive freedoms until to order, so I think now, too severe in the conception of space and shapes. At this late stage belong titles through the glass , Four doors, Interior light , Vertices I and II and the Telephone Evening .

Four brushes, acrylic on cardboard, 50x70 cm 1987.

Hands and brushes, acrylic on cardboard 100x70 cm 1987.

while painting a circle, Acrylic on canvas 125x190 cm 1990

moving circles, Acrylic on canvas 130x97 cm 1993.

Behind the Music, Acrylic on canvas 100x150 cm 1992.

Arcos de color, 125x190 cm Acrylic on canvas 1993.

Through the glass, 26x32 cm Gouache on paper 1994.

Four doors, 40x45 cm Gouache on paper 1994.

Interior Light, Acrylic on canvas 115x130 cm 1994

Vertices I and II, Acrylic on board (diptych) 180x126 1994.

Night of Telefónica, Acrylic on canvas, 100x150 cm 1994.

Hall Decorations For 50th Anniversaries

EXHIBITION: Isabel García Fuster, Gallery 04

The Tuesday, January 11 I attended the opening of the exhibition of Isabel García Fuster in Gallery EME 04. Presents a series of paintings entitled parts, most inks, watercolors and mixed media, oil paintings and two large format.

The exhibition is open until 25 January. Gallery address is C / Fernández de la Hoz, 20 - 28010 Madrid. Tel 91 308 August 1934 www.galeriaeme04.com

Nothing like the words of Isabel to understand the message of his work:

"I try to paint the air when mixed with the landscape, and we belong to nature. Try to tell the essence of these feelings by drawing the minimum . I research on how through the colors we relate to the world, I think we all have a particular color, I use this idea to find the precise color to interpret emotions. "

If you want to see more work of this artist can get into your blog:

isabelgarciafuster.blogspot.com

I show pictures of his exhibition, with some views of his paintings and groups of friends.

Isabel García Fuster front of his paintings.

"At the heart of darkness I implore "

Overview of the exhibition.

Isabel García Fuster with friends.

Overview
exposure
Isabel García Fuster Soler Immaculate with painters in the center, Juana Garcia, at his side, Guillermo Duarte and Lola Aguado.

"M III "

Isabel García Fuster with Inmaculada Cuesta, Gallery Director EME 04.

work exposure.

work exposure.

Overview of the exhibition.

Isabel García Fuster with the painter Michael Recupero, on your right, and other friends.

Isabel Fuster with Inmaculada García Cuesta and me.

Overview of the exhibition.

Nn Models Blog Nn Models Blog

sunset Waiting, Oil on canvas 2011 60x60 cm

Can I Sell My Homemade Beauty Products

EME MY WORK: Series Brightness, houses that look and a little bit of heaven While painting a picture

Houses that look and a little bit of heaven , Oil on canvas, 40x40 cm 2011